Films in shooting or post-production
The Mother of All Lies
Synopsis
Asmae, a young Moroccan director, goes to her parents’ place in Casablanca to help them move out. Back at her family home, she begins to sort through all the objects of her childhood. At some point, she comes across a photograph: children smiling in a kindergarten playground. At the edge of the frame is a little girl sitting on a bench, looking shyly at the camera. This picture is the only image of her childhood; the only memory her mother could give her. But Asmae is convinced she is not the child in this picture. Hoping to get her parents to talk, Asmae introduces her camera into the situation and plays with this intimate incident to examine further memories she does not trust. This photo becomes the starting point of an investigation during which the director questions all the little lies told by her family. Little by little, Asmae explores the memory of her neighbourhood and country.
Hatem Nachi
Asmae El Moudir
Abdulah, Said, Malika, Ouarda, Mohammed, Asmae
Insight Films (Morocco)
Asmae El Moundir
[email protected]
Aljazeera Documentary (Qatar)
Director’s statement
As a young Moroccan director, I carry with me many unanswered questions. Some are personal, others political, and I want to ask them now, as both a filmmaker and a daughter, through interacting with the people closest people to me: my family. From my family’s relationships, I create a common space for The Mother of All Lies: our house in Casablanca. A place full of complicity, love, hostility and objection.
Investigating stories of my childhood, I interact with my mother, father and grandmother. This allows me to question my memories, which are caught between fiction and reality, between truth and lies. And I show how difficult it is to build one’s identity when every memory one possesses is in doubt.
Little by little, this narrative choice gives me the opportunity to ask my parents about the 1981 Casablanca bread riots and how they lived through that dark and little-known event in the history of Morocco. My goal is not so much to try to document the real story but rather to make a film about the multiple points of view and plurality of interpretations that co-exist regarding family and national history.
Biographies
Moroccan film director, screenwriter, and producer Asmae El Moudir studied at La Fémis in Paris and has directed several award-winning short films. The Mother of All Lies (2023), her first feature-length theatrical documentary, had its premiere at the Festival de Cannes, where it won the Un Certain Regard Directing Prize as well as the Œil d’or for Best Documentary. It was also the first Moroccan film to win the Étoile d’Or at the Marrakech International Film Festival and was shortlisted for the Academy Award for Best International Feature Film.
€350 100
€179 112
AFAC, IDFA Bertha Fund, Hot Docs Blue Ice Docs Fund, Doha Film Institute, IMS, CNC, Aljazeera Documentary, CCM, La Scam
November 2019 - November 2020, Casablanca and Marrakesh, Morocco
May 2022
Beginning of post-production
International sales and distribution companies, funding for all stages of post-production, partners from all over the world, editor, music composer, picture and sound post-production professionals (grading/mixing), graphic designers and established marketing agencies
